Category: Poem

  • Timed Writing

    Timed Writing

    During my second trip to Bali in August 2007, I had the great fortune to work with Australian singer, comedian, writer and director of Writer’s Journey, Jan Cornall, during a creative writing workshop as part of the  Bali Institute for Global Renewal. Jan had us do a timed writing exercise as we sat around a common table under a pavilion beside a rice paddy. Next to us a farmer chased a monkey chasing ducks across a bund while an old man bathed naked in an irrigation ditch, thinking he was invisible. I recently rediscovered what I had scribbled down during that quick write.

    “Anything that turns up,
     just let it turn up.”
     Like the volume on the stereo
     or a guest at the door?
     Turn up, turn it up
     Wake up, wake it up;
     to night and day,
     to light and shade,
     to eager change.
     
     Hearsay’s distant storm
     forewarns,
     from someplace else 
     to where I am, 
     an approaching wreck to life and limb,
     that circulates among our kin.
     
     But out of sight is out of mind
     and brings a carefree
     separation 
     from what could have been 
     the weather’s fickle pilgrimage.
     
     Despite typhonic rumors wraith,
     adventure calls
     to an unknown place,
     a chance
     to release this somber state
     of what comes next 
     or what should be.
     
     Alone, not worried, sounds
     of life and ice in glasses rattle 
     while monkeys watch and wonder 
     what it is we’re doing.
     
     Quiet heads bent over pages, 
     writing words in random phrases;
     thoughts in stages
     at the center
     of this query.
     
     Souls and hearts or in between.
     “Two minutes to go.”  When
     was that said?  Two minutes to go,
     we’re at the end. 
     
     Ubud, Bali, 2007
  • Ubud Dogs

    Ubud Dogs

    I happened to be in Bali many years ago during Galungan, the celebration when spirits of deceased family members return to visit their earthly homes. I appreciated how the daily offerings in small palm leaf baskets, Canang Sari, were placed everywhere, on sidewalks and on top walls, on steps and in doorways, up high and down low. Those placed up high were for the benefit of good spirits, while those on the ground for evil—the hungry ghosts. In addition to the colorful flowers—frangipani, hibiscus and marigold—and incense sticks, these baskets also held rice, fruit and other morsels. I’d notice how the many stray dogs would devour the food left in the offerings at ground level, food meant for the spirits, in this case, the hungry ghosts.

    Ubud dogs roam streets
    in search of morseled offerings
    of rice and sweets
    and burning sticks
    and find delight, or so it seems,
    in scattered grains and ash and seeds,
    that one might think
    no need to feed
    these ill-bred dogs of Bali.
     
    With food for gods and spirits gone
    these canine beasts as hosts become
    a dwelling place, the sacred space,
    for hungry ghosts of Bali.
     
    From day to night these mongrels lure
    their parasitic spirit herd
    down streets that curve
    where traffic lurks.
    They’re barely missed,
    though some are nicked
    by cars and trucks, the motorists
    do try to dodge the roving dogs of Bali.
     
    The streetlights glare
    for drowsy mutts to settle down
    in fields, on roads or on the ground;
    but at the gate
    no master’s face,
    no whistle’s call,
    no beds await,
    no leashes tug to safely lead
    the homeless dogs of Bali.
     
    For a strangely blessed cur,
    in desperate heat,
    with matted fur,
    it’s understood
    there is no cure for
    the holy dogs of Bali.